展出地點｜有章藝術博物館
展出期間｜2017.05.09-06.30
開放時間｜週二~週六 10:00-17:00
開幕時間｜2017.05.09 PM12:00 
開幕演出｜幽谷響 YUGU（鄧雯馨）
　　　　　https://www.tengwenhsin.com/news
策展人開幕導覽｜13:45～14:30
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　　國立臺灣藝術大學有章藝術博物館以培育策展新銳為宗旨，鼓勵年輕策展者提出具有開創性與時代性之策展方案，特於今年辦理「臺藝新策—新銳策展案徵選計畫」。經公開徵件後，邀集國內外深具策展與學術經驗的評審委員，進行兩階段評審選出兩組計畫案，分別為林裕軒與陳韋綸共同提出的《不可言說的生命印記—媒介考古學》，以及郭朝淵提出的《嗜暴者》。
　　《嗜暴者》具有本土社會語境的現實針對性，而展覽成為人類暴力行為研究的一種實證方式。以對暴力的動機分析、不同作品的呈現、串連出的跨域探討，構成一種社會批判。《不可言說的生命印記—媒介考古學》雙人協同合作的展覽策劃模式，考驗也展現討論、協調、統一的機制。展覽主題對當前現實所反映之網路時代的「多渠道」經驗，提出了觀察與批評。以圖像化年代的藝術表達為探討內容，藉考古學為方法論，企圖透過多媒材方式揭示符號、語言、圖像等溝通媒體上的偽與誤之現象，嘗試解構也重構、重新編碼，形成一種知識生產。
　　國立臺灣藝術大學是國內歷史悠久之藝術創作與學術專業的育成搖籃，有章藝術博物館的「新策」計畫，為培育藝術專業人才的積極策略，望能發揮其所肩負之藝術教育使命，以此為台灣當代藝術展覽活動推陳出新、注入活力，並藉此橫向串連、能量整合、多方位推動台灣藝術發展。
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Art Museum at National Taiwan University of Art (NTUA) aims at promoting young and emerging curators and expects them to present innovative exhibitions reflecting our times. Thus, it launched the NTUA Emerging Curators Program this year. After the open call, it invited experienced curators and researchers from Taiwan and abroad to join the judging panel. The competition was held in two stages and meant to choose two winners. This year, they are “Media Archaeology: Indescribable Mark of Life” collaborated by LIN Yu-Xuan and CHEN Wei-Lun, and “Violence Lover” proposed by KUO Chao-Yuan.

“Violence Lover” targets the reality in the local society, making itself an evidence in violence research. It analyses the causes of violence, presenting and linking artworks in different mediums and criticizing social issues. “Media Archaeology: Indescribable Mark of Life” is a collaboration of two curators, which questioned and showed how discussion, negotiation, and integration go. It presents their observation and critical opinions on contemporary “multiple-tunnel” experience in the internet era, focusing on visualization and employing archaeology as their methodology. Not only do they reveal the fakes and errors found in communication mediums like symbols, languages, images, and etc. but they disarrange and reconstruct the phenomenon and thus build up their own knowledge system.

NTUA has been the cradle of art and the related research for ages in Taiwan. As its ardent practice, the Emerging Curators Program led by Art Museum at NTUA expects itself to carry out NTUA’s goal in the art education, injecting verve into contemporary art society and integrating multiple resources in Taiwan.

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